| Dream World Wanted to be alone, But now I'm with you. Don't know why, But I hope it's true. The times I cried, You wiped my tears, Told me it'll be alright, Made me believe it's real. If this is my fantasy, I want it alive - 'Cause it's my dream world, With you and I. Trapped
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Reader's Excalibur - Home of Synergy!
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Monday, 20 February 2012
Vandana Sreekumar - Another Collection
Thursday, 19 January 2012
Vandana Sreekumar - Unsaid
UNSAID
She's giving herself
But he never sees
So invisible she becomes
Invisible she leaves
He dreams of her
Once in a while
Thinks she's pretty
But just for a while
She wonders if
He'll ever think
See her as more
Than a friend in ink
He does write to her
Says, "Love you my friend"
Hopes she'll say, "I love you too"
That together they can mend?
They part on good terms
though unsatisfied
The little things were said
But big things lurk inside
Unsaid
Years later
They meet again
Married? no
Still waiting for that "One"
They say
That chance encounter
Led to more
In success and good health
But big things lurk inside
Unsaid
Drifted apart again
With little things always said
But love untold
The big things left unsaid
One day again
(Even fate tries its hand)
They begin to talk
Find some memories lost
Childhood mischief
Teenagers' loss
Adulthood travails
Yet no love?
"There was but..."
"But? Now?"
"It's dead and gone"
"Sorry for your loss"
That was the last time
They were twenty five
They moved on but still
Looked back on their lives
Could they have made a difference?
Was it a little thing missed out?
Was it big things that were said
And little ones that lurked
Inside. Unsaid.
Monday, 16 January 2012
Blogging
Thursday, 5 January 2012
Vandana Sreekumar - A Collection
Blushing slowly,
Unfurling gently,
Whisper soft,
Soon she grows.
Suitors come,
One by one,
For age has marked her,
The glory of blood red.
Experience hardens,
Makes self protective,
Green thorns strengthen,
Let few get to her.
With age, beautiful exterior falls away
But the brown thorns remain
Even if sweet flower withers away...
COST OF PROGRESS
What is progress?
If it works this way,
City dweller by day
Though heart in village stays.
One day to return
Expecting small familiar roads,
Dirt and grass runs,
Nature's beauty abound;
Deep blue river flowing fast,
A hope that it'll all last.
Hopeful return,
But leave in shock;
Roots destroyed,
What have we lost?
Cost of progress
A broken tar road,
Cost of progress
A mediocre school.
Aping the city,
Village lost its way;
Age old traditions,
Has it all gone astray?
WHAT YOU ARE TO ME
Feathers fall
Like the rain,
Pillow fights
Are never the same,
Bright blue eyes
You stare at me,
Waiting to jump
As if you don't know me.
Child, don't you know
That we are one?
And will be so
Till time is done?
You are part of me
Wild and bright,
Sudden sadness -
Have I been right?
Soon enough
You will have to leave,
Be stronger than now
More beautiful to see.
Now yet we have
Our pillow fights,
For a few more years
I will hold you tight...
Still I'll let you be
All might and rights,
Oh my child,
What you are to me.
Saturday, 17 December 2011
Neeraja B - Through The Lens of IFFK
Rush, long queues, running between theatres, discussions, opinions, emotions, applause, recognition and at last the much awaited “Suvarna Chakoram” ……Yes, Yet another IFFK bids adieu…For those in the capital city and for those movies are life, the one week extravagant film festival means a lot, a lot beyond the rush and hush for a commercial hit and a lot beyond what is movie for a lay man. Like any other year, this time too IFFK staged varied performers, it became the platform for hard core discussion on movies, it became a forum for cultural and ideological give and take, and an inspiration for those who just stepped in into the mesmerizing world of cinema. For the pioneers , it meant getting wonder struck by the impeccable works of the great maestros ( retrospective ), deriving confidence and also elevating themselves to the standards of world class movies. For the youth, it was celebration but for the uninteresting “budhijeevis” (as we dearly call them ), it was reverberation of the nuanced philosophy of human life and of rebirth of “romanticism”. For film lovers it was plethora of colors unveiling and for critics it was painting their figures in a wider canvas. For the skippers of the movies it meant struggling and fasting for their movies, sharing their ideas, sharing their concerns, and feeling the content of applause. And for yet another ilk it had much of a “social” coloring. It was where they discussed contentious issues – moral policing, attitude towards and portrayal of sex , which have caused an eye brow raise among the hind runners of the so called “civilization and morality” . What so ever, it could hardly be possible to be not part of it, for the media were at no dearth for news to fill in; thanks to the organizers.
But beyond all these experiences, what IFFK or any other International Film Festival offers for the film world and the society at large would be an interesting preposition to think about. In that regard, IFFK has offered much to Malayalam Cinema. One repeated theme that was over heard through out the festival is the plight of Malayalam movies. The muddle around “Aadhimadhyandham” and the disappointments regarding the poor theater facilities itself are shadows of a looming crisis. It was for the first time that the festival is not hosting a Malayalam movie in the competition category. But,at the same time the recognition “Aadaminte makan Abu” won and the applause for movies like “traffic” shows the changing course of our movie world. The move to market Malayalam movies also offers hope. The Indian movies like “Aadukalam”, “Delhi in a day”,”I want to be a mother” etc helped appease the complaint on Indian movies not striking world standards. Yet, the reality remains bitter. We still have a lot of work in hand.
The stark contrast between the colorful and the colorless world is something one could experience only at such an arena. It is from such an intellectual turf that some of the most brilliant movies were born. Who doesn’t know how many great film makers IFFK might give birth to??
In yet another level and most importantly the global platform it offers is worth the pains taking effort behind the screens. To see our movies from an outsider’s shoe and to look for out of the box solutions is possible nowhere else. When we get to know the culture of various nations, it is not just that they often become an eye opener for innovative film making but also it reminds us that there are shared concerns and shared crisis which blurs global boundaries and we need to look at them from a collective perspective. It’s not just a place for the film makers but for all of us to look at the world. Screening of movies on the Arab spring, surrogacy and many such issues in the political and social fore became true depiction of this.
Festivals are places where not only new ideas come in but also where ideas are shaped. It’s where culture moves forward, it’s where we see the efforts to bridge cultural lag taking place. Morality, Sex, Art, Civilization, Values, Artistic privacy – everything of the kind is discussed both openly and subtly.
It’s also a place of remembrance and homage when you go back to the works of our great masters all over the world who helped this industry grow and be by itself a form of art that is so dear to our hearts. And by and large it’s a place where film makers grow, through the recognition they get, through the applause they receive and at times through the struggles they cope up with while at the festival.
Festivals help you appreciate life and at the same time remind us many things- they show what we haven’t seen, they show what we have forgotten to see, and they show what we ought to see.
So if you think that you are too much for this world or feel your’s is too paltry a life, its of no loss that you spend some 400 bucks for your delegate pass.